AVI → MOV

Convert Your AVI to MOV documents smoothly

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How to convert AVI to MOV

Step 1: Transfer your AVI files using the button above or by slide and deposit.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Retrieve your converted MOV files.


AVI to MOV Conversion FAQ

How do I re-encode AVI to MOV without losing video quality?
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Upload your AVI file and set Quality to High Quality in the conversion options. That re-encodes the video at the highest quality setting (CRF 18 for H.264 and VP9 output), which keeps the most detail at the cost of a larger file. The default, Balanced, uses the standard setting. The MOV output gets a codec its container supports: H.264 for MP4, MOV and MKV, VP9 for WebM. AVI files predate modern codecs: expect MPEG-4 Part 2 (DivX/Xvid), Motion JPEG or raw uncompressed frames rather than H.264. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio.
Yes. AVI content is often interlaced, because the format comes from the broadcast and DVD era, and this converter has no deinterlace option, so the combing carries into the MOV. If it matters, deinterlace the AVI first in a desktop tool such as HandBrake or ffmpeg (the yadif filter). AVI is Microsoft’s Audio Video Interleave, introduced in 1992 on top of the RIFF chunk format — one of the oldest containers still in circulation.
No, and that is one of the better reasons to move. The AVI container has a practical single-file ceiling that long or high-bitrate recordings run straight into, which is exactly why old captures arrive as part1, part2, part3. MOV has no equivalent limit, so the pieces can be rejoined into one continuous file. AVI has no native support for modern codecs, variable frame rate, soft subtitles or files over 4 GB without hacks, and its per-chunk overhead bloats the file.
Yes. AVI has no usable soft-subtitle track, so subtitles for AVI content had to be burned into the picture or shipped as a separate sidecar file. MOV carries subtitles as their own selectable stream, so after conversion you can attach an SRT track the viewer can switch on, switch off or restyle.
It does. MOV stores chapters as container metadata, so a long recording can be navigated by section instead of by scrubbing a progress bar. AVI has nowhere to put that information, so the converted MOV starts with no chapters; add markers afterwards with a tool such as MKVToolNix or ffmpeg. MOV is the QuickTime container, which Final Cut Pro, Premiere and DaVinci Resolve all open natively.
For anything you intend to keep, yes. AVI belongs to an earlier generation of video tooling and the software that reads it is steadily disappearing from phones, browsers and operating systems. Moving the footage to MOV now, while a clean decoder still exists, is the difference between an archive you can open in ten years and one you cannot.
It depends on the MOV container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default.
Yes, the main audio track comes through, re-encoded to a codec the MOV container plays, for example AAC in MP4 and MOV or Opus in WebM. Most conversions keep only that one track (the one with the most channels), so alternate languages and commentary are dropped. MP4 to MOV, and AVI, WMV, MPEG, FLV, VOB or M4V to MKV, keep every audio track.
Yes. The frame rate is kept unless you change it: a 24 fps AVI stays 24 fps in the MOV. The Frame Rate setting can also convert to 60, 30 or 24 fps. It changes the rate only; it does not deinterlace the video or remove 3:2 pulldown.
It depends on what happens to the video. MKV to MP4 or MOV with the default settings copies the video stream unchanged, so the size stays close to the source. Most other pairs re-encode it: a high-bitrate AVI usually comes out smaller, while an already heavily compressed one can grow. Smaller File under Quality gives the smallest output, and H.265 in the Codec setting (MP4, MOV and MKV) is usually smaller than H.264 at similar quality but plays on fewer devices.
MP4 with H.264 plays on practically every phone, browser and TV. MOV with H.264 plays on Apple devices and most TVs but not on every older Android phone. MKV needs an app such as VLC on iOS, and WebM is at home in browsers. There is no device preset on this page, so choose the target format your device supports. MOV files are large, and outside the Apple ecosystem playback support is patchier than MP4 — older Android builds and some Smart TVs will refuse them.
There is no fixed time: it depends on the length, the resolution and the target format. Conversions run on our servers' CPUs with software encoders; there is no GPU acceleration. MKV to MP4 or MOV with the default settings copies the video stream and is the quickest. A re-encode to H.264 takes longer, and WebM (VP9) is the slowest target, several times slower than H.264 in our tests.

AVI

AVI files can contain both audio and video data, widely handled but with larger file sizes.

MOV

MOV is Apple's QuickTime format, supporting superior video and audio for broadcast-resolution editing.


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