FLV MOV

Convert Your FLV to MOV documents smoothly

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How to convert FLV to MOV

Step 1: Transfer your FLV files using the button above or by slide and deposit.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Retrieve your converted MOV files.


FLV to MOV Conversion FAQ

How do I re-encode FLV to MOV without losing video quality?
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Upload your FLV file and the converter runs a CRF-based re-encode targeting visually-lossless MOV output (CRF 18 by default, lower values = larger file / higher quality). The codec is chosen to match the MOV container — H.264 for broad-compat MP4, H.265 for size-efficient MKV, VP9 for WebM, AV1 for newer pipelines. FLV typically holds Sorenson Spark or H.264 video with MP3 or AAC audio, wrapped in a stream format designed for RTMP delivery. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio.
Yes. FLV has no usable soft-subtitle track, so subtitles for FLV content had to be burned into the picture or shipped as a separate sidecar file. MOV carries subtitles as their own selectable stream, so after conversion you can attach an SRT track the viewer can switch on, switch off or restyle.
Yes, and it is a real upgrade over FLV. MOV treats every audio stream as a first-class track, so an original-language mix, a dub and a director commentary can live in one file with the player switching between them on demand. MOV is the format professional editors ask for, because it survives repeated round-trips through Final Cut Pro, Premiere and DaVinci Resolve without generational loss.
It does. MOV stores chapters as container metadata, so a long recording can be navigated by section instead of by scrubbing a progress bar. FLV has nowhere to put that information, so if the source shipped with a chapter list it was in a sidecar file — hand that to the converter and it gets written into the MOV.
For anything you intend to keep, yes. FLV belongs to an earlier generation of video tooling and the software that reads it is steadily disappearing from phones, browsers and operating systems. Moving the footage to MOV now, while a clean decoder still exists, is the difference between an archive you can open in ten years and one you cannot. No current browser, phone or TV can play FLV — anything still in this container has to be moved out of it to remain watchable.
It depends on the MOV container. MP4 defaults to H.264 for the broadest playback support across phones, browsers, and Smart TVs. MKV defaults to H.265 / HEVC for roughly half the file size at equivalent quality. WebM defaults to VP9. The advanced options expose explicit codec choice if you need to override. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default.
Yes. When FLV and MOV share an audio codec (e.g. both carry AAC), audio is re-muxed with no re-encode — bit-identical. When the codecs differ, audio is transcoded to AAC / Opus / Vorbis depending on what the MOV container supports. Multi-track audio (commentary, alternate languages) is preserved.
By default yes — a 24fps FLV stays 24fps in MOV; a 60fps FLV stays 60fps. If you need to change rate (e.g. interlaced 29.97 → progressive 30, or 60 → 30 for upload limits), the framerate option handles 3:2 pulldown, deinterlacing, and frame-blending in the same encode pass.
Same-codec re-mux (FLV H.264 → MOV H.264 just changing container): nearly identical size. Codec change can swing dramatically: H.264 → H.265 typically halves the file at the same visual quality; VP9 is roughly comparable; AV1 cuts another 20-30% but is slower to encode.
MP4 / H.264 plays natively on every modern device. MOV / H.264 plays on Apple devices and most TVs but not always on older Android. MKV needs VLC on iOS. WebM is browser-first. The advanced options include a "device compatibility" preset that picks the safest MOV codec / container for your target. MOV files are large, and outside the Apple ecosystem playback support is patchier than MP4 — older Android builds and some Smart TVs will refuse them.
Same-codec re-mux is near-instant — 30 to 60 seconds for a 1-hour file. A full codec re-encode runs at roughly 0.3-0.7x source duration on our GPU pipeline, so a 1-hour FLV → MOV finishes in 18-40 minutes depending on resolution and target codec.
Up to 8K (7680×4320) on Premium plans. Free conversions are capped at 4K (3840×2160) by the per-file size limit. HDR metadata (HDR10, HDR10+, Dolby Vision when present) is carried through where both FLV and MOV containers support it.

FLV

FLV (Flash Video) is a video container format developed by Adobe. It is commonly used for online video streaming and is supported by Adobe Flash Player.

MOV

MOV is Apple's QuickTime format, supporting superior video and audio for broadcast-resolution editing.


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