Convert AV1 to MP4

Not dependably. AV1 stores multiple audio streams as first-class tracks, but MP4 playback support past the first track is inconsistent, so most players will only ever expose one. Choose the track you actually want before converting; the others are better extracted to their own files than left in a container that hides them. AV1 delivers roughly 30% better compression than H.264 at the same quality and carries no licence fees, which is why YouTube and Netflix push it. MP4 only supports one widely-honoured subtitle format (mov_text), and multi-track audio is unreliable outside desktop players.

It changes what to expect from the output file. One side of this conversion names an encoding rather than a wrapper, so what comes back is that bitstream inside whichever container suits it best — normally MP4 or MKV. The extension reflects the container; the codec is what actually determined the file size and where it will play.

It depends on the MP4 container. MP4 defaults to H.264 for the broadest playback support across phones, browsers, and Smart TVs. MKV defaults to H.265 / HEVC for roughly half the file size at equivalent quality. WebM defaults to VP9. The advanced options expose explicit codec choice if you need to override. MP4 is ISO/IEC 14496-14, standardised in 2001 and derived from the same QuickTime box layout MOV uses.

Yes. When AV1 and MP4 share an audio codec (e.g. both carry AAC), audio is re-muxed with no re-encode — bit-identical. When the codecs differ, audio is transcoded to AAC / Opus / Vorbis depending on what the MP4 container supports. Multi-track audio (commentary, alternate languages) is preserved.

By default yes — a 24fps AV1 stays 24fps in MP4; a 60fps AV1 stays 60fps. If you need to change rate (e.g. interlaced 29.97 → progressive 30, or 60 → 30 for upload limits), the framerate option handles 3:2 pulldown, deinterlacing, and frame-blending in the same encode pass.

Same-codec re-mux (AV1 H.264 → MP4 H.264 just changing container): nearly identical size. Codec change can swing dramatically: H.264 → H.265 typically halves the file at the same visual quality; VP9 is roughly comparable; AV1 cuts another 20-30% but is slower to encode.

MP4 / H.264 plays natively on every modern device. MOV / H.264 plays on Apple devices and most TVs but not always on older Android. MKV needs VLC on iOS. WebM is browser-first. The advanced options include a "device compatibility" preset that picks the safest MP4 codec / container for your target. MP4 is the safest possible delivery target — every phone, browser, console, editor and Smart TV built in the last decade plays it without extra software.

Same-codec re-mux is near-instant — 30 to 60 seconds for a 1-hour file. A full codec re-encode runs at roughly 0.3-0.7x source duration on our GPU pipeline, so a 1-hour AV1 → MP4 finishes in 18-40 minutes depending on resolution and target codec.

Up to 8K (7680×4320) on Premium plans. Free conversions are capped at 4K (3840×2160) by the per-file size limit. HDR metadata (HDR10, HDR10+, Dolby Vision when present) is carried through where both AV1 and MP4 containers support it.

Yes. Uploaded video files are processed in isolated workers, never viewed by a human, never indexed, and deleted within minutes of completion. The retention window is documented at /privacy/ and we publish no training corpus from user uploads.

Not in the same step — use /video-trim/ or /video-cutter/ to clip first, then run the AV1 → MP4 conversion. Chaining trim and convert is faster than re-encoding the entire AV1 just to drop unused footage.