AMR → M4A

Yes, and it is worth planning around. Both formats are lossy, so the M4A encoder is working from audio that has already been through one psychoacoustic pass, and its own decisions compound the first set. At 192 kbps or above the result is still transparent for most listening. If you have a lossless master anywhere, encoding the M4A from that instead avoids the double pass entirely. AMR is a narrowband speech codec running between 4.75 and 12.2 kbps, modelling the human vocal tract rather than the full audio spectrum. An M4A holds AAC in most cases, or Apple Lossless (ALAC) when it came from a lossless rip.

Yes, and it is a genuine gain over AMR, which has nowhere dependable to store any of it. M4A carries title, artist, album, year, track number and embedded cover art in the container itself, so a music library files it correctly without a manual pass. M4A keeps rich iTunes-style metadata, chapters and artwork intact, and is the native audio format across every Apple device.

Because one side of it is a speech codec rather than a music codec. It models the human vocal tract and discards everything outside telephone bandwidth, which is fine for a voice memo and destructive for anything with instruments in it. Converting away from it cannot restore the missing frequencies — they were never encoded in the first place. AMR destroys music: its 8 kHz bandwidth removes everything above telephone frequencies, and no amount of re-encoding brings it back.

If AMR is lossy and M4A is lossless (e.g. MP3 → WAV), the M4A is no better than the AMR — you cannot recover information already discarded. If AMR is lossless and M4A is lossy, the M4A codec recompresses; at 192 kbps the result is transparent for most content.

Several files in one job need a paid plan. Free use is one file per conversion, one conversion an hour. On a paid plan you can add several files to one job, then download each result on its own or all of them in one ZIP.

By default yes — 48 kHz AMR stays 48 kHz in M4A. If you need to downsample for compatibility (96 kHz → 44.1 kHz for CD burning), the sample-rate option applies high-quality resampling in the same encode pass.

Not in this step. The converter has no loudness setting and leaves the level as it is. To even out the volume, run the finished M4A through a Normalize tool on this site.

MP3 plays almost everywhere. AAC plays on Apple devices, most Android phones and Sonos. FLAC plays on Sonos and Android but not on older iPods, and WAV plays on nearly everything but makes large files. There are no device presets on this page, so choose the target format your player supports. M4A hides two very different things behind one extension — lossy AAC and lossless ALAC — and non-Apple hardware support is inconsistent.

Yes. Uploaded AMR files are processed on our own conversion servers, no person reviews them, and they are never shared. The upload and the converted M4A are both deleted automatically about 24 hours after the conversion, which leaves time to download the result. See /privacy/ for the full policy.